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Listen...the aftermath of an earthquake looks a lot like the aftermath of a bombing...

  1. Robbie Shakespeare Session Listen 2The Call 08-Mar-2010
  2. Days 19-23: February 8-12, 2010 Listen 2The Call 13-Feb-2010
  3. Day 18: Sunday, February 7, 2010 Listen 2The Call 13-Feb-2010
  4. Day 17: Saturday, February 6, 2010 (Bob Marley Day) Listen 2The Call 12-Feb-2010
  5. Day 16: Friday, February 5, 2010 Listen 2The Call 12-Feb-2010
  6. Day 15: Thursday February 4, 2010 Listen 2The Call 11-Feb-2010
  7. Day 14: Wednesday February 3, 2010 Listen 2The Call 11-Feb-2010
  8. Day 13: Tuesday Feb 2, 2010 Listen 2The Call 10-Feb-2010
  9. Day 10-12: Saturday, January 29 – Monday, February 1, 2010 Listen 2The Call 07-Feb-2010
  10. Day 9: Friday, January 28, 2010 Listen 2The Call 06-Feb-2010
  11. Day 8: Thursday Jan 28, 2010 Listen 2The Call 05-Feb-2010
  12. Day 7: Wednesday Jan 27, 2010 Listen 2The Call 04-Feb-2010
  13. Day 6: Tuesday January 26, 2010 Listen 2The Call 03-Feb-2010
  14. Day 5: Monday, January 25, 2010 Listen 2The Call 03-Feb-2010
  15. Day 4: Sunday January 24, 2010 Listen 2The Call 02-Feb-2010
  16. Day 3: Saturday January 23, 2010 Listen 2The Call 01-Feb-2010
  17. Day 2: Friday, January 22, 2010 Listen 2The Call 31-Jan-2010
  18. Day 1: Thursday, January 21, 2010 Listen 2The Call 31-Jan-2010

Day 6: Tuesday January 26, 2010

Listen 2The Call - Wednesday, February 03, 2010
Tuff Gong
Artistes: Brian Gold | Mutabaruka | Wayne Marshal | TOK

Day 6 began at Tuff Gong studio with Brian Gold's negotiation for space on the “ark”. He had the same question Beenie Man had asked the night before. Handel’s directions were the same: find some land and squat.

He smiled after listening to the track a few more times, joking that he knew he could keep up with Alaine on her verse, and that's where he wanted to come in. The blend of his airy 'Hear the Calling' with Alaine's sugary voice couldn't have been better scripted; it immediately became a staple in the song. He recorded his ad libs next, and long after he had finished I was still thinking of all the beautiful things one could do with a voice like his, that could make a wail sound soft and intense at the same time. His voice has so much depth, into which a cameo on a track like this can only give a brief glimpse.

He came round to the mixing board to hear his layer of the mix. He listened…and heard that it was good.

T.O.K had fun working on the track. It was refreshing to see a group of young talented guys who genuinely enjoy what they do; they were serious while crafting their part and then they let it loose behind the mic.

They are the only male group to sing on this song and they used this to their advantage by focusing on harmonies. They listened to the mood of the track and added depth. A memorable moment in their session was their recording of the harmony for Barrington's verse. It was like opening a window in the song and letting in a bright beam of light. Make sure you listen to this part of the song with your eyes closed... And tell me if you see it too.

Wayne Marshal seemed shy at first, silently mouthing the lyrics while waiting in a corner of the studio as TOK recorded in the booth. At his turn behind the mic, he started warming up to the melody. Eyes closed, head upturned and hands clasping his headphones, he had the look of an artist finding his way around a musical landscape. He quickly found a way to incorporate his sound in his catchy phrasing of 'If we all listen we can make this change.’

"Aha!! You like that Handel?" he eagerly asked. Yes, Handel did.

It was something of a Eureka moment. From then on, he added creative suggestions for new things he wanted to try out, and Handel gave him free rein. Watching Wayne vibe behind the mic, you saw that here was a man eager to let you hear what he could do.

Visiting the session that day to take in the vibes were industry veterans including the JFM President Desmond Young, producer Clive Hunt, Solid Agency's Sharon Burke and Inside the Musik Biz host Teddy Laidley.


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